The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.

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Norman McLaren's first film with a drawn soundtrack.

A professional ballerina suddenly finds herself completely lost after she’s forced to retire early due to a serious injury. In an attempt to build a new life, she goes to university and gets her whole world turned around when she encounters her childhood best friend Sarah as a professor there and is forced to face some surprising feelings.

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A solitary man's only pastime is to go to a movie theatre, the Teatro San Martín, on Corrientes Avenue in Buenos Aires. There he exorcises his ghosts.

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Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

The life of whimsical Amélie, a reserved chambermaid, is upended by the arrival of Madame Raoul, a mysterious guest with an air of playful intrigue.